High-fidelity narrative worldbuilding, field acoustic collection, voice talent coaching, and complete post-production execution for broadcast radio, premium podcast series, and award-winning fiction audio dramas.

Section 1: Audio Fiction & Immersive Sound Design

The Very Worst Thing That Could Possibly Happen | Creative & Consulting Producer

• Client / Network: Wolf at the Door.

• Operational Footprint: Served as a core creative and consulting producer on this dark, highly textured 9-part serialized fiction audio drama. Guided pacing structure, script beats, and dramatic sound balance.

• Accolades: Winner of the Tribeca Festival 2023 Fiction Audio Storytelling Award and recognized as one of the elite Tribeca Audio "Official Selects".

Necessary Tomorrows (Episode: The Rights of Nature) | Story Editor, Sound Designer & Contributing Writer

• Client / Network: Doha Debates / Al Jazeera Podcasts / Imposter Media.

• Operational Footprint: Handled comprehensive speculative worldbuilding, science script consulting, and sound design for this hybrid science-fiction/speculative non-fiction anthology series. Architected the soundscape for the pilot episode exploring legal extensions of environmental personhood.

• Accolades: Recognized as an official selection for Tribeca Audio and an Ambies Award Nominee as well as a Signal Awards Winner for Best Experimental Podcast (Silver)

Section 2: Broadcast Radio Documentaries & Non-Fiction Series

Jazz Night in America | Co-Writer, Co-Producer & Sound Designer

• Client / Network: WBGO / NPR Music / Jazz at Lincoln Center.

• Operational Footprint: Co-wrote and co-produced four documentary audio profiles honoring the 2022 National Endowment for the Arts (NEA) Jazz Masters class, handling archival tape integration, scripting, and mix alignment.

  • Cassandra Wilson: Weaving multiplatform tracking with historical music layers.

  • Billy Hart aka Jabali: Building intimate tracking from live sets at Dizzy's Club.

  • Stanley Clarke: Blending career landmarks with artist collaborator interviews.

  • Big Chief Donald Harrison Jr.: Integrating New Orleans style street recordings with field context.

• Additional Work: Served as lead audio sound designer and editor for the project's inaugural Youngbloods series, detailing cutting-edge performers like Immanuel Wilkins, Samara Joy, Sarah Hanahan, Sean Mason, and Isaiah J. Thompson.

Century Lives (Season 4 - 5) | Audio Producer, Reporter & Field Recordist

• Client / Network: Stanford Center on Longevity / Palisades Media Ventures.

• Operational Footprint: Executed complete field reporting, local script drafting, voiceover tracking, and tape gathering for complex socioeconomic documentary episodes.

  • "New Mexico Could Not Hear the Train": Captured early childhood development soundscapes on-site in Albuquerque, New Mexico.

  • "Heat is (Not) My Jam": Tracked environmental climate stress features inside Phoenix, Arizona.

  • Harris Health: 3 Episodes Recorded in Houston, Texas.

• Post-Production Credits: Managed engineering layout and sound assembly on the collaborative feature "It Takes a Village".

The Mission Muralismo Audio Zine - Vol. I | VOICE Director, Lead Producer, Co-Writer & Sound Designer

• Client / Network: SFMOMA / Institute of Museum and Library Services (IMLS).

• Operational Footprint: Directed an experimental 12-track spatial acoustic zine blending site-specific narration, multi-mic community voices, poetry, and field-captured street atmosphere. Guided voice actors and scripted narrators Olivia Peña and Josiah Luis Alderete.

• Accolades: Signal Awards Winner (Bronze), Webby Award Nominee for Arts & Culture, and the standalone breakout mix "Ode to La 24" was crowned an On Air Fest Official Select.